Tessellating Art and the Einstein Problem

While researching the recently solved “Einstein Problem,” I stumbled upon talented individuals who were using this new discovery to build mathematical art. These people equipped me with the tools and inspiration to create some works of my own. In creating this art, I found a new connection to M.C. Escher, a master of tessellation art.

The Einstein Problem

The einstein problem asks if there exists a shape that tiles (covers without gaps or overlaps) a plane aperiodically (without a repeating motif). Just recently a small research team discovered that tile, solving the einstein problem. They discovered not just one tile but an entire family of tiles. They named this family of tiles ‘Specters’.

(Left) A Specter with stylized polyline edges. (center) The underlying edge arraignment of all Specters. (Right) A specter with stylized curved edges.

I was disappointed to learn that the einstein problem has no relation to Albert Einstein. In this case we’re referring to the literal German translation, meaning “one stone”.

A tessellation of Specters. The animation fades between differently stylized edges.

Getting Hands On

The initial discovery was made by David Smith, a retired print technician and self-identified “shape enthusiast.” In his pragmatic methodology he used both software and cardboard cutouts to experiment with tessellation. In turn, I wanted to do some hands-on experimentation too.

I went online to find a tile file for 3D printing, and found more than I expected. People have been decorating the tiles so that when they’re tessellated a design takes form. I downloaded a few of these designs, 3D printed them and then made these mosaics.

Various mosaics made with 3D printed tiles.1

Notice the gaps in the center of each star in the last image? This is a great example of something unique to aperiodic monotiles; Its only possible to create a repeating motif by leaving gaps between tiles. The only way to close the gaps is to let the tiles flow into aperiodic tessellation. Laying the tiles down this way has an unusual feeling to it, there’s no regular pattern to guide tile placement, and yet, each additional tile has a place it fits perfectly. Every tile has the same simple decoration, but when they’re together a complex design emerges.

Tools

Inspired to create tile decorations of my own, I set out to find the necessary software tools. After some searching, I found exactly what I was looking for on the forum for Rhino 3D. This thread contains an excellent assortment of both scripts and art. I modified an existing tessellation script to work on my tile decorations. I used Rhino 3D to draw my decorations on a source tile and then used Grasshopper to tessellate them.

(First) A single decorated tile that’s used to tessellate the plane. (Second) A glimpse of the grasshopper script used.

After generating the tessellation, I transferred the curves into Adobe Illustrator for coloring.

Art

When tiles come together, something new emerges. This artwork is inspired by structures with emergent characteristics e.g. a network of roads, a multicellular organism, an organic molecule.

Drag the bar on each image to reveal or hide the individual tiles.

Alleys

Mush

Roads

Fungus

Atoms

Cells

Repetition Emerges

Despite being aperiodic, repeating shapes start to emerge as we zoom out.

Large Fungus

Notice the triangle-like pattern? This isn’t a trick of the eye; the repetition is real.

When Specters are tessellated, they can be lumped into small groups. These small groups tile just like hexagons.

Animated fade between tessellated Specters2 and tessellated hexagons.

A tessellation of Specters will always have an equivalent tessellation of hexagons, but the two won’t ever perfectly fit inside each other. This is the reason for the emerging repetition, and also the reason the repetition isn’t perfect.

In the end, this art built by tessellating Specters was equivalent to art made by tessellating hexagons.

Returning To Escher

A sculpture inspired by tessellating art of M.C. Escher.3

While making art with Specter is new, making art using hexagons is not. I’m reminded of the tessellating artwork of the late M.C Escher. I encourage the unfamiliar to peruse his playful tessellations.

His unique prospective has long been an inspiration to me. It is a strange feeling to have inadvertently circled back.

Citations

  1. 3D printed file authorship by order of appearance. @bengineering on Thingaverse, @ateldsign on Printables, @ateldsign on Printables, @CarlosLuna on Printables. ↩︎
  2. This diagram comes from the paper “A chiral aperiodic monotile” by David Smith, Joseph Samuel Myers, Craig S. Kaplan, and Chaim Goodman-Straussis. It’s released under the CC BY license (International 4.0). My modifications to the diagram are shared alike. ↩︎
  3. Photograph by Bouwe Brouwer. It’s released under the Creative Commons Attribution-Share Alike 3.0 Unported license. ↩︎